抗战时期，出身于国民党高官家庭的华桢原本要参加海军，实现自己成为舰长的梦想。然而一趟意外的上海之行，华桢的人生被彻底改变—他改名向远生并成为了一间破落派出所的底层警员。在这里，向远生遇到了一生中最重要的两个人—共产党员陈浩和骆珉敏，他们让向远生找到了人生的意义。在陈浩、骆珉敏等人的影响下，向远生坚定了共产主义信仰，最终成为党隐蔽战线上一名优秀的战士，成全了自己对理想信仰的追求。

未来时空，三名中国航天员在返回地球的途中，遇到复杂情况与地面失去联系，万分危急时刻，收到了一条电子信号，而他们的命运将被这个信号里隐藏的一段神秘代码彻底改变。

未来时空，三名中国航天员在返回地球的途中，遇到复杂情况与地面失去联系，万分危急时刻，收到了一条电子信号，而他们的命运将被这个信号里隐藏的一段神秘代码彻底改变。

大学新生开学典礼，沈星辰偷鹿晚晚演讲稿复仇。鹿晚晚穷靠助学金入学，脱稿演讲成功。她发现沈星辰捣鬼后被纠缠，沈先让她扮女友，被拒后用助学金和辩论赛相激，两人还签每日一吻约定。

An alien ship encounters a strange flying object: the Voyager spacecraft. Professor Dr. Georg Friedele wants to teach the aliens about evolution on earth but the more the aliens listen the angrier they turn towards the humans.

An alien ship encounters a strange flying object: the Voyager spacecraft. Professor Dr. Georg Friedele wants to teach the aliens about evolution on earth but the more the aliens listen the angrier they turn towards the humans.

穆森马克马巴夫是伊朗赫赫有名的大导演，因此让一个失业兼影迷的年轻人产生了冒充他的愿望，并以穆森·马克马巴夫的名誉向富翁阿汗赫借了一笔钱。若要人不知除非己莫为，东窗事发后，冒充者很快被逮捕并面临申诉。阿巴斯知道此事后，产生了浓烈兴趣，遂进行了跟踪式调查。在采访中，年轻的冒充者很是后悔，他一方面承认了自己骗钱的行径，另一方面也表达了对电影的热爱。最后，富翁决定不再追求年轻人的责任，撤销了对他的控告。更令人惊喜的是，由于这件事，年轻人居然见到了穆森·马克马巴夫本人。在了解一切之后，阿巴斯为此感叹不已，遂根据这则真人真事改编制作了电影《特写》。

德黑兰，记者法拉兹曼德前去报道年轻人霍塞·萨布齐恩因诈骗被捕的事件。原来，失业的油漆工萨布齐恩是一个影迷，他自称是著名导演穆赫辛·马克马尔巴夫，取得阔绰的阿汉卡赫一家信任，向他们借钱拍片。事发后，萨布齐恩被抓。导演阿巴斯·基亚罗斯塔米就此案展开了纪录片似的跟踪调查，他采访了警察， 阿汉卡赫全家，以及萨布齐恩本人。 　　审讯过程中，萨布齐恩为骗取了阿汉卡赫一家的感情而后悔，但他说之所以这样做是因为对艺术的热爱，如果有钱，他真地会拍摄自己的电影。而且，假扮导演马克马尔巴夫赋予了他自信。最后，原告阿汉卡赫家撤销了起诉，而萨布齐恩也见到了真正的马克马尔巴夫，后者骑小摩托带这个年轻人重访阿汉卡赫。

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”